Palo Duro Baryta Fiber 300 offers all of the rich tonality, depth, and feel of a traditional wet darkroom fiber paper. It has a lightly textured semigloss surface, which adds depth and an elegant reflectivity to the finished print. Palo Duro Baryta Fiber is a pleasant neutral white that adds natural richness to portraits and landscapes. Black & White images also benefit from Palo Duro Baryta Fiber's deep blacks and exceptional contrast. Use Palo Duro Baryta Fiber 300 for your final product to surpass gallery and museum expectations.
Palo Duro Baryta Fiber 300 Details & Information
Palo Duro Baryta Fiber 300 offers all of the rich tonality, depth, and feel of a traditional wet darkroom fiber paper. It has a lightly textured semigloss surface, which adds depth and an elegant reflectivity to the finished print. Palo Duro Baryta Fiber is a pleasant neutral white that adds natural richness to portraits and landscapes. Black & White images also benefit from Palo Duro Baryta Fiber's deep blacks and exceptional contrast. Use Palo Duro Baryta Fiber 300 for your final product to surpass gallery and museum expectations.
Palo Duro Baryta vs. Big Bend Baryta 310 See how they are alike and how they differ.
Palo Duro Baryta has been described as "as close as you can get to Oriental New Seagull G", which was a favorite of Ansel Adams. It is not the exact paper to be sure. However, it will be your go-to paper for a true darkroom fiber look.
Palo Duro Baryta Fiber's whiteness comes from a special barium sulfate variant called blanc-fixe, which means permanent white. This material is in the coating. It is inert and lends stability to the paper's whiteness over time. The coating and base materials are free of acid, lignin, and fluorescent brightening agents. Palo Duro Baryta Fiber gives you all you need for true exhibition quality photographic prints.
From 2012 until 2016 Red River Paper sold a product called San Gabriel SemiGloss Baryta. It was quite popular with photographic enthusiasts and those looking for a true darkroom look. The paper was discontinued due to a consistent issue with the base stock. Red River Paper maintains the highest standards so we decided to discontinue San Gabriel 1.0. It was replaced by San Gabriel 2.0 in 2016 and we continue to offer that paper.
Fast forward to today and, after extensive testing and work with our paper mill, we have decided to bring back the old San Gabriel which we have named Palo Duro Baryta Fiber. To summarize, the old San Gabriel, now new and improved, is back as Palo Duro Baryta. If you enjoyed the old San Gabriel, this paper is for you!
Red River Paper is made by printing enthusiasts for printing enthusiasts. Whether you are a professional photographer, photographic enthusiast, designer, or business, our experts have firsthand knowledge of all our products. If you have a question, give us a ring or shoot us an email. You’ll receive a lightning-fast response from an actual live human with actual real-life expertise.
* Always display inkjet prints under glass, plastic or in a book for maximum print life.
* Make sure to read the handling guide.
* Compatible with pigment and dye inks.
* Not for inkjet printers with a front-feed only design
* If your printer has a specialty media path, we recommend you use it with this paper. If you only have a top paper tray, you can use this product one sheet at a time. Please read our Tips for Feeding Inkjet Papers article for tips on printing with specialty paper stocks.
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Award wining!
Keith Hartman, Jun 28, 2023 - www.KeithHartmanPhotography.co,
I have had a few images place in International print compassion with this paper. In very rigorous judging this paper did not hold me back. Palo Duro Baryta Fiber holds detail and color for the discriminating eye.
Perfection!
Sandi Pfeifer, Apr 06, 2023
Need I say more? This has become my go-to paper for all of my fine art photography.
Superb (and the printer hints are key)
Michael Rieder, Mar 30, 2023
I bought a few boxes of this paper to create a collection of my key pictures where I print 2 at the time on the 4x6 cards and then cut in half.
Using this grade of paper gives a first grade impression of the picture, even at small size.
I found the printer hints to be key for a successful printing process. My Canon prograph500 (I live in Asia, in US it would be the 1000), really needs proper selection of paper and in particular of settings for the print head.
Since I live in a tropical climate the paper does have a tendency to curl a bit and before I print bend each individual sheet to make it as flat as possible. This extra step gurantees a high success rate and I couldn’t be happier with the results.
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